Kurt Vonnegut's "Galapagos"

We humans have sure made a mess of this place. Sometimes I wonder if the world will ever recover, or if we’ll just keep multiplying, consuming and polluting until there’s nothing left. It’s taken nature and evolution billions of years to shape life as we know it, and we seem willing and able to destroy it in mere decades. Sorry if this sounds depressing, but that’s life.

Few writers are able to grasp these stark truths about evolution and destruction like Kurt Vonnegut. My favorite writer of all time, Vonnegut is king of showing humanity at its worst while making us laugh our asses off in the process.

His novel “Galapagos” asks a lot of interesting questions: What will happen if/when humanity destroys itself? What would the world look like if everyone died except for a few people? What if we had to start all over again? What will humans be like if they’re still around in a million years? Are our big brains gifts or curses?

I love the way Vonnegut unravels this novel through his narrator, who is telling the story of humanity’s near-total demise from a million years in the future. In the year 1,001,986, things are a quite different. Evolution has scrapped humans’ opposable thumbs and big heads full of brains in favor of flippers and simple minds. In Vonnegut’s vision, we swim around a lot, eat a lot of fish and usually die by means of great white attacks. (Great whites, of course, haven’t evolved at all because they’re fucking perfect at what they do.) As the novel progresses the narrator divulges more and more about who he is and what the hell he’s doing wandering around earth for a million years, watching humankind transition into some sort of aqua-mammal. Of course, being a Vonnegut novel,  there are countless great quotes about human nature along the way. 


This book is full of characters who come on the scene and die, their lives as fleeting as those of the blue-footed boobies of the Galapagos Islands. For this reason, the characters aren’t nearly as memorable as those from other novels, like Billy Pilgrim or, but Vonnegut’s quintessential character Kilgore Trout does make a few appearances. Considering this novel spans a million years, it focuses more on the (really) big picture as opposed to the details of specific characters. 

The structure is intricate and the style is comic genius. This is  definitely one of Vonnegut’s most imaginative works, which is saying a hell of a lot.

I’ve heard several of my friends and fellow Vonnegut fans say this is his best novel. I think I love several other novels more, but any discussion of Vonnegut's best novel is purely academic. Point is: this is as close to perfect as a novel can get.

Read it. Evolve.

In Memory of Kurt Vonnegut, Jr.

I first read “Slaughterhouse Five” when I was at boarding school in Germany, and the book had a profound impact on me. It started me on a quest to read every novel, every short story and every essay he ever wrote. Vonnegut’s work gives me hope, it makes me laugh. It’s bold yet beautiful, simple yet complex, smart yet accessible to anyone with an open mind. It was while reading Kurt Vonnegut’s novels that I realized I wanted to write my own.

So it was quite a thing when I first met him at a Kinko’s in Midtown Manhattan.

This was 2005, and I was working twelve-hour shifts on Fridays, Saturdays and Sundays to pay my way through college. It was almost midnight when he stumbled in. I thought I was seeing things but, at the same time, it was so clearly him. He was just so real. He stank of cigarettes and coffee. I walked up to him and offered to help. He told me he wanted 10 copies of some poems that he was working on. I made him 11 and asked him to sign the last one for me. He did, and scribbled a few pictures here and there.

I told him I was his clichéd “biggest fan.” He replied: “I hope you’re a Republican.” I laughed my ass off. We talked about politics and women and the generalized chaos that was the Bush II years. He spoke like he was writing a novel with his words.

This became a routine over the next several months. Each time Vonnegut came in, he walked right up to me. I never let any of my coworkers help him; they knew when Vonnegut came in that I had to drop whatever I was working on. I was a good copy boy and I dressed up his work in black leather backing, clear covers and black coils. He liked them that way, but he would ask for a velo bind every once in a while, just to mix it up. He always thanked me.

I left the Kinko’s shifts to take a job with a daily newspaper in Maryland. I moved away before I was able to say goodbye. Before I was able to work up the courage to ask him out for coffee. He was old and he seemed to like his personal space and privacy. But late at night or early in the morning or on rainy Sunday afternoons, he would come into the store, shake my hand and crack jokes. It was a life-changing experience for the artist in me.

I teared up when I read his obituary in the New York Times. Then I cracked a beer, grabbed my notebook and sat down on my front porch. I wrote this poem in his honor. I’ve been trying to get it published since 2007, but to no avail. Oh well. At least I still have all those poems and essays, some of which were published only after his death.

So, enjoy. (And, by the way, if anyone wants to publish this poem, post a comment!)


So it goes...

The scent of stale cigarettes
wafted through the store
when he waddled in.
Pall Malls, to be exact. Unfiltered.
“These things were supposed to have
killed me
by now,” Vonnegut said.
“I’m gonna sue.”
He threw some wrinkled pages,
those jagged, silky poems,
on the counter
and asked for 10 copies. He let me make
another one
for me, his biggest fan.
He penned a squiggly face on the page
and scribbled what I guessed was his name.
Looked like chaos to me.
“Thanks, kid.”
From then on, I didn’t mind
going to work on Saturdays.
He’d come in
from time to time.
I’d follow his every word,
waiting for some profundity to come
spilling out.
It was usually just Pall Mall breath
and jokes.
Good jokes.
But I left Manhattan. He didn’t.
He told jokes. I didn’t hear them.
He fell and cracked his noggin yesterday.
What a hilarious way
to die.
As his brain was swelling,
I’ll bet he was
chuckling.
As he’d say,
“So it goes …”

(c) Isaac James Baker
2007 - Westminster, Maryland